Arabic Maqam
Maqam Kurd on guitar
Also written Kurdi, Kürdî
Jins Kurd on the tonic, with a half step above it, followed by Jins Nahawand on the fourth degree. There are no quarter tones here: every note lands on a fret.
- Tonic: D
- Ghammaz: G
Tonic Ghammaz Between the frets Tap any note to hear it at its exact pitch.
The notes, one by one
Steps are counted in equal quarter tones of 50 cents, the usual written convention for Arabic maqam. Real intonation shifts with region, maqam and player. Pitches are given in cents above the tonic; a fretted semitone is 100 cents.
| # | Note | Above the tonic | On a standard guitar |
|---|---|---|---|
| 1 | D Tonic | 0.0¢ | On the fret |
| 2 | E♭ | 100.0¢ | On the fret |
| 3 | F | 300.0¢ | On the fret |
| 4 | G Ghammaz | 500.0¢ | On the fret |
| 5 | A | 700.0¢ | On the fret |
| 6 | B♭ | 800.0¢ | On the fret |
| 7 | C | 1000.0¢ | On the fret |
Ajnas
A maqam is built from small units of three to five notes, each with its own colour. These are the units of Maqam Kurd.
-
Jins Kurd
On D, 4 notes
D · E♭ · F · G
-
Jins Nahawand
On G, 5 notes
G · A · B♭ · C · D
Sayr
Jins Kurd on the tonic, then Jins Nahawand from the ghammaz, G, up to the octave.
- Jins Kurd establishes the maqam around the tonic, D, with the half step right above it.
- At the ghammaz, G, the melody passes into Jins Nahawand.
- Jins Nahawand carries it up to the octave D.
Example phrase
Climbs Jins Kurd to rest on the ghammaz, G, falls back to the tonic, visits Jins Nahawand above, then settles on the tonic.
A short outline written for Fretwise that follows the sayr above. It is not a quotation from the repertoire. Press “Play the phrase” on the neck to hear it.
Sources
Tuning convention: 24-tone equal temperament. Intervals are written as in the source; practice varies by region and player.
How to play maqam on a standard guitar: when to bend, when to use the nearest fret
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